![]() See for an excellent Britannica Encyclopedia article concerning Palestrina.įor examples of his early Flemish style, see, ,įor examples of his middle style, and discography of its representative work, the Missa Papae Marcelli, see. He had three distinct styles of polyphony but each shares a quality of refinement. His style is generally considered to be the culmination of Renaissance polyphonic sacred music. Whereas dissonances were almost jarring at times in its use in organum, Palestrina used it on a weak beats or passing tones which did not jar, but rather created a bit of tension which then resolved to consonance. ![]() While expressive, his sacred works are not ostentatious, but rather, sublime. While abuse of polyphony and its inclusion of secular elements were considerations of the counsel in Trent, it is doubtful that it was written for that purpose. ![]() Whereas Palestrina was using was expressive, it was not ostentatious to the contrary, it was sublime. With Palestrina, polyphony became almost suave. You will recall that organum often had a vigorous, throaty sound. There is an apocryphal story that he wrote to the mass as the Council in Trent considered whether polyphonic music, with its secular connections and polyphonic complexity distracted its congregations and should be prohibited from the churches. His best known mass was the Pope Marcellus Mass. He was a prolific composer, producing more than 100 masses more than 300 motets, and many hymns, Magnificats, and lamentations, in addition to a large number of madrigals, i.e., secular music. His popular name is derived from the name of his birthplace, Palestrina. Palestrina is the best-known of Renaissance choral music. He is best known for his more than 100 masses and 300 motets (which were on sacred topics but not formalized as liturgy). Palestrina is the best-known of Renaissance a cappella choral music composers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |